THE QUARTERLY

CONTENTS

Editor's Introduction: Hobart and the Future of Lit (Mags)
By Travis Kurowski

"Through Other Eyes": An Interview with Nam Le
By Editors

A Poetics of Emptiness: On the Poetry of Five Points
By William Wright

Guerilla Publishing : An Interview with the Editors of The Lumberyard
By Editors

The Last Movement Literary Magazine: n+1
By Travis Kurowski

A Chronicle of Slush
By Thomas Washington

Ultra-Talk: Triquarterly 128
By Deja Earley

971 MENU: An Interview with Gregory Napp
By Sam Ruddick

How to Start a War: McSweeney's 26
By Travis Kurowski

Art Canada: Review of Border Crossings
By Nigel Beale

How to Criticize: A Writer Attends Meeka Walsh’s Workshop on Art Criticism
By Nigel Beale

Cave Wall: The First Three Issues
By Greg Weiss

The Gettysburg Review Celebrates Twenty Years of “Carrying Literary Elitism to New and Annoying Heights”
By Heather Simons

"You Are the Bad Smell": A Fiction Excerpt from Apple Valley Review
By Kathy Anderson

Letters to Luna Park: Rhett Iseman Responds to Thomas Washington; Albert Goldbarth's Brief Missive About the LP Blog; and more

 


 
 
THE CARNIVAL

Jennifer Taylor, co-founding fiction editor, on damselfly press

 

 

Last year, our biggest challenge at damselfly press was to rapidly become a well-known journal so that the first issue wouldn’t be filled with anecdotes from the editors—something, anything, just to fill up the blank space. It seemed to be a novice’s idea to try and break into the crowded literary world where on-line journals thrive and fold on a daily basis.

We had spent three months establishing the concept for the journal, mission statement, guidelines, website design, and logo. We also spent a massive amount of time on the phone since the three of us are in different cities. I remember those marathon phone sessions as exhilarating. We were beginning something with possibility. It almost felt like the first day of high school, or the first time I set out in my car at sixteen all by myself.

The day our first call for submissions went out, I must’ve checked my e-mail box at least twenty times before the morning was over. If my memory is correct, I received the first fictional submission that afternoon. I wanted to read it right away and send an e-mail thanking the good woman who had written it but refrained. Over the course of the next several weeks I received over twenty submissions for the first issue. What surprised me were the number of stories and poems filled with gratuitous violence.

With that said, we receive high quality work that surpasses what we had hoped for in the beginning. We are now reading for our third issue. I still check on the number of submissions that are sent my way but not every day. We still have conference calls to check in with each other and discuss submissions. Our editing style is collaborative, and that seems to serve us well. We receive e-mails from women telling us how much they’ve enjoyed our first two issues, and they appreciate the time and effort we’ve put into the journal. And that makes all of the phone calls and worrying worth it.

 

 

Our website is: http://www.damselflypress.net.


FEATURED ARTIST: ROBERT GOLDWITZ


Georgia—Twenty Years Ago
Photograph, Leica M-4, Fugichrome original

THE NEWSREEL

New, free literary magazine for Washington, DC commuters: Bit o' Lit

Objects As Magazines / Magazines As Objects exhibition part of Art Book Triennale in Milan

New Letters & Thomas E. Kennedy win national magazine award

New UK literary magazine: Pen Pusher

Alex Clark becomes Granta's first female editor

Senator Obama's literary journal publications

Revival of Simon Gray play about starting a lit mag, The Common Pursuit

Fence magazine turns ten; interview with editor Rebecca Wolff

The Prague Revue releases vol. 8 at long last


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