THE QUARTERLY

CONTENTS

Editor's Introduction: Hobart and the Future of Lit (Mags)
By Travis Kurowski

"Through Other Eyes": An Interview with Nam Le
By Editors

A Poetics of Emptiness: On the Poetry of Five Points
By William Wright

Guerilla Publishing : An Interview with the Editors of The Lumberyard
By Editors

The Last Movement Literary Magazine: n+1
By Travis Kurowski

A Chronicle of Slush
By Thomas Washington

Ultra-Talk: Triquarterly 128
By Deja Earley

971 MENU: An Interview with Gregory Napp
By Sam Ruddick

How to Start a War: McSweeney's 26
By Travis Kurowski

Art Canada: Review of Border Crossings
By Nigel Beale

How to Criticize: A Writer Attends Meeka Walsh’s Workshop on Art Criticism
By Nigel Beale

Cave Wall: The First Three Issues
By Greg Weiss

The Gettysburg Review Celebrates Twenty Years of “Carrying Literary Elitism to New and Annoying Heights”
By Heather Simons

"You Are the Bad Smell": A Fiction Excerpt from Apple Valley Review
By Kathy Anderson

Letters to Luna Park: Rhett Iseman Responds to Thomas Washington; Albert Goldbarth's Brief Missive About the LP Blog; and more

 


 
 
THE CARNIVAL

A Tour Through Big Muddy
A Review by Lynn Watson

I adore little magazines, but so many come across my desk that I rarely have time to read any of them cover to cover. One exception I always make is Big Muddy: A Journal of the Mississippi River Valley. The journal combines the usual literary fiction, poetry, reviews, and essays with work from other disciplines, including history, the sciences, and business.

A trip through Big Muddy is much like a float down its namesake. The magazine’s concentration on the Mississippi River and the ten states that border it provides a natural cohesion to each issue while celebrating the variety of flavors found along the way, from the toughness of the bison jerky famous in Minnesota, to the spice of New Orleans gumbo.

Most recently out is Big Muddy 7.1. It opens with an excerpt from Murder on Rose Hill, Alan Terry Wright’s new historical docudrama, set in 1920s Missouri. Other fiction includes C. D. Mitchell’s short story “Ferdinand C. Posey.” This heartrending but humorous piece is told from the point of view of a young waitress, who’s serving the title character—a man once known as Handsome Kenny King, the King of Memphis wrestling. Also, Louis E. Bourgeois of Mississippi provides two short pieces, “Crabs” and “Pirogue Races,” the latter about racing pirogues into Lake Ponchartrain.

“Down the Great River with Old Bones: a dream song with Mr. Berryman,” a poem by Arizonian Richard Sederstrom, is a must-read, as is “Rivers,” by David Radavich. “Rivers” captures the spirit of the magazine, urging the reader to “carry me with you, / paddle or steam, raft / or river-boat, / down to the Mouth / where everyone celebrates / and opens / like tomorrow.”

In the reviews section, be sure to check out Missouri native Jason Brown’s reading of the “subtly tragic” Amy Hempel collection The Dog of the Marriage. And no river trip is complete with encountering bridges; Gerry Mandel’s photographs of Eads Bridges are scattered throughout the issue.

Past and current issues can be ordered from Southeast Missouri State University Press. Big Muddy 6.2 features a J. T. Ledbetter poem, “Mississippi Headwaters,” and Mary Cantrell’s short story, “Gifts.” Favorites from issue 6.1 are Daniel Crocker’s poem “Camping in Missouri” and C. D. Mitchell’s short story “Memphis.”

Big Muddy 5.2 includes Ryan G. Van Cleave’s poems “The Kudzu Queen” and “Confession #32,” and the issue closes with Philip C. Kolin’s Katrina poem, “The Last Transfers.” Joseph Spring’s essay, “Falling River: The Weight of the Mississippi at Winona” in Big Muddy 5.1, captures the river’s “powerful forces, hidden beneath its calm, pleasing surface” as seen from a Minnesota bluff.

Big Muddy, subtitled “A Unique Collection of Issues, Events, & Images from the Great River Road” was launched in 2001 by editor Dr. Susan Swartwout, who also founded and runs the award-winning Southeast Missouri State University Press.

The magazine’s upcoming issue, 7.2, will feature Big Muddy’s first contest winners. Pat Landreth Keller’s “The Magician’s Assistant” is the winner of the Mighty River Short Story Award. “Shimmering City,” by Lauren Savit, won the Wilda Hearne Flash Fiction Award. Mandy Henley, long-time Assistant Editor, promises that Tim Bass’ short story “Home Remedies” is laugh-out-loud funny.

Each wind of the Mississippi River leads its travelers to a new and unique perspective. Like its namesake, Big Muddy encompasses a variety of focuses, ideas, and styles, which sets this little magazine apart from others.

Lynn Watson is an Associate Editor at Mississippi Review and fiction writer whose work has appeared on 971menu and elsewhere.


FEATURED ARTIST: ROBERT GOLDWITZ


Georgia—Twenty Years Ago
Photograph, Leica M-4, Fugichrome original

THE NEWSREEL

New, free literary magazine for Washington, DC commuters: Bit o' Lit

Objects As Magazines / Magazines As Objects exhibition part of Art Book Triennale in Milan

New Letters & Thomas E. Kennedy win national magazine award

New UK literary magazine: Pen Pusher

Alex Clark becomes Granta's first female editor

Senator Obama's literary journal publications

Revival of Simon Gray play about starting a lit mag, The Common Pursuit

Fence magazine turns ten; interview with editor Rebecca Wolff

The Prague Revue releases vol. 8 at long last


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